Gaylor theorists (Swifties who believe Swift is bisexual and has dated several of her female friends) may have been convinced that the “lavender” mentioned in the title was referring to the historically queer connotations of the color, but the first song on Midnights appears to be about Joe Alwyn, Swift’s boyfriend of six years. Rather, Midnights is a return to an intensely autobiographical Taylor, making it extremely ripe hunting material for sleuthing Swifties. The rest of Midnights - plus its seven bonus tracks that Swift surprise-released at 3 am - feels equally personal gone are the fictional stories woven throughout her pandemic indie rock albums Folklore and Evermore. “ a real guided tour throughout all the things I tend to hate about myself,” she explains. She’s already shared that the album is made up of “the stories of 13 sleepless nights scattered throughout my life,” and in her pre-release teasers on Instagram and TikTok, Swift revealed that “Anti-Hero” will be the lead single, a song about her struggles with fame and biggest insecurities. Of course, there have already been fun little gems for Swifties to enjoy for one, Midnights came out as Swift turned exactly 12,000 days old, alluding to the numbers around a clock, a present motif in her earlier work (and especially in this album). Reissued on CD by BMG Special Products in 1997 with full annotation, and worth tracking down in any format.As of October 21 at midnight, Taylor Swift’s 10th studio album, Midnights, is officially out in the world, and besides the obvious question (is it more like Reputation or more like Lover?), fans can finally dig into all the lyrical hints and Easter eggs characteristic of a much-hyped Swift release in their standard manner: fanatically. Among the surprising non-hits is the radiantly sung "Perfect Love" and a beautiful harmonized cover of "I Can See Clearly Now," featuring the Pips singing lead. ![]() The result was four hit songs, including the chart-topping "Midnight Train to Georgia" (originally written as "Midnight Plane to Houston") and one of the biggest selling albums in their history - Imagination was sophisticated soul at its best, Knight belting out numbers with great forcefulness and passion while the group provided delicate backup. Co-produced by the group and Tony Camillo, Imagination embodied all of what Gladys Knight & the Pips had learned in their previous six years at Motown, watching the way their records were made, combined with the maturity of the sound that they'd achieved in that time, and virtually complete freedom to choose their repertory - a factor that they were mature and sophisticated to exploit to the fullest. The first album cut by Gladys Knight & the Pips for Buddah Records was a watershed in their history.
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